repressed - white label - red vinyl - d5, the artist formely known as dimension 5, returns to the label where he started. three times deeply smooth funk techno tracks. his last track >floatation tank< on the >planet delsin< compilation, was favorite along a broad range of deejays, and licensed to josh winks mix compilation. this neutrino ep brings us three times deep funky warm minimal/techno. sounds along the lines of luciano and aril brikha, groovy late night techno. very deep

cult swedish producer and multi-instrumentalist tiger stripes arrives on audiomatique with this incredible new three track ep. a monstrous lesson in modern minimalism, ah-64 pumps with a dark yet funky inner power thats felt even stronger after the sinister string laden break. slow building and totally infectious this trippy late-nighter is built for the big rooms and will have you reaching for the lasers in no time. on a slightly lighter tip, how we feel warms us with funky, energetic percussion in a modern and positive tech-house jam. with smooth future house keys and plenty of details its a straight forward floor burner. back to detroit city takes us right there, deep, dubbed and melodic this retrospective workout features delicate melodies laden above yet more warm, powerful and driving beats. continuing, elongating and drifting, its a perfect conclusion to the ep.

the shoes crew is back! after working on the >eccentric breaks< album they get back to what they do best. 4 super smooth dancefloor re-edit tracks based around classic roy ayers songs: >2000 black<, >running away<, >sunshine<, and >superstar<. seriously well done, dont miss this!

a1: your last chance - very housey vibe on this one, with a heavy kick drum/snare combo. expanding synth line and very subtle percussive elements help the track build. it really kicks in when the vocals hit along with a funky ass bass groove. beautiful! a2: sailin 79 - slow paced track, centred on the vocal. great backing with bass, rising & shooting synth sounds. not so much for the dance floor, a great track for bar surroundings or a low key dj set! b1: youre welcome - smooth groove on this one, vocals are really well executed and give the track a great edge. killer track! b2: love is gone - super chilled track with a cosmic disco feel. waving synths, and echoed vocals create a very big sound. this track is encapsulating, pulling you into the groove for the entirety and sticking in your mind once its ended! brilliant stuff!

to kick-start the fina campaign we literally hunted high and low to find an artist and sound that we felt would represent us and give a statement of intent. what we didnt expect was for this search to take us south of the equator and into to the deep southern hemisphere. this is not the first place that you would expect to hear warm, deep underground house but this is exactly what you get with the melbourne based mic newman. and thinking about it, it doesnt get warmer or deeper than melbourne does it? mic is a young producer who we believe is destined for greatness. at the age of 29, hes already had a string of underground smashes on labels such as murmur, tsuba, dirt crew, freerange, and now for fina records. the intriguingly named live east, die young ep (mic riffing on his time spent living in london) sees what mic doing what he does best and demonstrates why his future is so bright. on die young, the tougher a-side, mic keeps the beats solid, and the groove tight and hypnotic, while the smooth chord stabs get right under your skin. prolonged foot tapping ensues. on the flip side, live east, mic takes it a little deeper with ever so subtle disco touches. the vocal sample asks what your name is and to take off your jacket as if to welcome you to a very messy after hours on this mcde-esque low-slung house groove. on remix duty, the on-form jacques renault and marcos cabral aka runaway, lift the track out of the south hemisphere and take it in a north easterly direction all the way to the caribbean – adding plenty of steel drums and pads on their interpretation of live east

after an incredible whirlwind of a year lee foss returns to the culprit fore with >your turn girl<. foss is the labels most consistent and prolific artist with this ep being his fourth release, solo or as part of hot natured. it is safe to say, lee has become one of the pillars around which culprit is being built. the >your turn girl ep< carries foss signature hallmarks: melodic funk-infused basslines, vocal hooks that grab you from the off and a smooth electronic edge. lees incredibly emotive sound makes him stand out even in the current glut of soulful dance music washing over the global scene. your turn girl – the title track is an epitome of foss >ominous funk< style, playful yet with a distinctly sultry edge. yet another memorable r n b female vocal bit sits on top of some of lees own best synth work. and driven by a killer analogue bassline. >pyramid scheme< –bristles with the disco-inspired propulsive energy. an acid-flecked low end, that comes to the fore mid-way through, a swirling guitar sample, the crisply sharp drums add up to the releases, perhaps, most hands-in-the air moment. >cabin party< continues the themes lee explored with his mega successful hot creations ep. foss eschews the standard house beat yet again, opting for his most organic drums yet, stunningly conceived textures and melodies, with another pair of vocal hooks to die for. finally >warriors< has been a staple of many a culprit dj set for the best part of 2010. lees trademark combination of a terrific electronic bassline, and an unabashedly emotional sample work make for a deep house stand-out tinged with a sense of nostalgia.

ldr returns with the labels first various artists release, four house expressions - from four cutting edge producers. dublin based italian producer, lerosa opens the ep with longing…a warm, proficiently produced electronic house cut as always from the adopted dubliner. smooth percussion and synth sounds layered and arranged to perfection while still keeping that free-flowing lerosa style. rotterdams mark du mosch delivers an uplifting house / techno influenced workout blessings. re­fined percussion and wonderful space-synth soundscapes alongside a driving bassline that will get the dancefloor moving for sure! glaswegian meschi debuts with concrete island , the london based producer delivers a blissful deep house track. a laidback rhythmical production that just gets better and better throughout, with clever arrangements of elements including a classic voice sample and a soothing and delicate piano line. wicklows automatic tasty concludes the ep with another killer analogue jam, 707 percussion, a rail­way raver-esque bassline, and ats trademark pads and synth melodies combine to make >welcome ohm luv< another classic from the machines of mr.tasty

we are happy to announce the first release from ultrastretch featuring nottingham-born and now london- based artist matthew burton. a – who loves yous short, sharp hats and robotesque samples build slowly and aloofly to what becomes a somehow familiar and nostalgically tinted style. it is in fact, sampled from the 1987s >the running man< soundtrack, originally composed by harold faltermeyer and picked and plucked apart by matthew burton to make it into his own. the epic synth riff melted with its strong kick and tightly sprung sound corners are eerie and atmospheric. >who loves you< resonates with all of us with its clear 80s feel thats been manipulated into a new and exciting piece of underground music from matthew burton. b – small winner takes us on another journey all together. a deceivingly kicky intro steers us into a combination of swooning orchestral brass and delicate jazzy piano keys who share their space with a crunchy and inviting rhythmic stride. its cleverly concocted instrumental experimentation lends its listeners ear towards the smooth ambience while the hypnotic beat keeps us subconsciously moving. dramatic pauses, a syncopated yet soothing orchestral fusion build >small winner< into an original and intriguing musical piece.

we present superb deep house treat from alex danilov - framing the ear worming lead refrain around a robust ny house bass line and crisp, punchy percussion with his seal of vintage touches. it kicks off with the track >pool< in which alex builds a chunky chicago/ny styled house cut with silky smooth synth pad and hypnotic vocal loops that carry on to theme of the b side chicago tribute >get old house<. this ep rounds up with the deep and playful >sequence smoke< poem track that will keep you going through the late night. we bring the funk !

rockstrohs track licht in 2009 was certainly one of the most striking club tracks. the unusual combination of previously german vocal and smooth house beats made it at once, not in the top 5 of all dance charts but also brought every floor - the club until the metropolitan area - to the quake. the follow up single tanzen was there to seamlessly and made again for many happy faces in the club - not only for ladies. just in time for the new year rockstroh starts the next rocket. wolke 7 will again reach the peak position of the charts with remix support of finger and kadel remix and alex gap remix

once again, berlin based resopal label head mri sticks to his guns and brings you strangely funky tunes. weakend-polka titled ep is filled with three tracks, all spiked with steady beats, funk, deep melodic chords and an overall glamour house feel. this is not only very well produced house / funk music, its also a journey through deepness and a modern take on the soulful side of the electronic music which exceeds the genre by far with a rich, colourful palette of surprising, individual sounds, butter-smooth chords, some of the most raunchiest bassline that you will ever hear outside of drum n bass, cleverly constructed beat patterns that yet never fail to jack and swing and an understanding of dub that goes far beyond the random use of echo and effects. this is electric intergalactic soul/funk/house/techno. its noir, its dirty, its dangerous and risqu. on vinyl, as we like our little record-shop around the corner.

sasha is a moscow based producer and dj, working with analogue equipment. his laborious style and smooth sound design will show you different sides of moscow underground dance movement. hot!

brand new ep on qalomota records, after the successful >kolakola-dj steaw< (only on vinyl) we strike again with the new generation of french house music producer. the qalomota family is proud to present you lemy leopard. this young producer got 5 tracks to house u all night long. from old skool flavor with >from the jungle< featuring laetitia dana and >welcome to my house< lemy is crazy about old kerri chandler or bassmental stuff! on b side lemy and the wellknow jocelyn mathieu (maw rec, animal house, dj fudge) give us >state of the world<, this song is perfect for the actual dancefloor. the two other tracks, >lemy house music< sounds really detroit smooth house music, >true soldiers< is definitly close to larry heards work in the 90s. his first ep is just a little taste of what lemy could do, because this guy is absolutly incredible, from hip hop to house and electro, he is the man!

architeq – into the cosmosperf10.nettirk records recently released the new architeq‘s ep entitled “into the cosmos“, it’s gonna be the last of the ‘color’ series before the album. the whole ep connects lazy jazz/funk with future electronic vibes, definitely a great quality production bringing us warm and smooth feel. would like to emp

holmby hills two smooth n ruff house tracks and two hip hop-jazz encores turn this record into a testimony for the state of mind of formresonance. when soul is melted together into an off the grid house track, it is not that far-fetched that both men have shared their music ever since tapes existed. engin oeztuerk, one half of here today, which came out on philpot and buzzin fly and block barley (who already has released two albums on hong kong records and we aint music) are both tinkering in search of music to dance to. they wickedly transform their musical masters ideas into something extraordinary sounding. an off-the-grid team

the owl, like its namesake, sits in the shadows. its deep, dubby bassline lazily rolls along, as our franco-italian alliance layer their percussive elements. string stabs usher in the smooth-keyed break, before that weighty bass drops back in. on the flip, txarco brings a sinister, somewhat industrial brand of funk, provided brilliantly by its growling, predatory bassline. as scything sounds, breathy vocals, and a variety of drums rolls lunge from the darkness, and fade just as quickly, we are constantly guarded by our bassline protector.

this brooklyn duo, trap.avoid, create this smooth soundscape of mesmerizing electronica that draws clear influence from the likes of giorgio moroder, orbital, chicago house, etc. remixes ranging from sample-funk to disco-punk from in flagranti, populette, and 33hz fill out the release. aeroplane was rocking this on tour in oct!

the 1st single off the album of the same name features chicagos diz on vocals and an amazing cast of remixers that include russ gabriel & his smooth deep version and jt donaldson doin his thing. heavy support from mark farina, alex from tokyo, doc martin, etc. bumpin house at its best!

ali kuru is one of the most popular turkish house djs. here he delivers some sweet modern house tracks in a extremly limited run of stamped white label copies,green vinyl on sound architecture. peak time tracks made to get the club crowd bounce! gipsy lady and the high tensioned builder marrakesh are smooth grooving and still powerful cuts. the title track goes a little more adventurous with jazzy piano and more in your face attitude that garantuees a stir on the floor. sharp tools for all serious club jocks!

sehou provides a prime piece of forward-looking nostalgia for metrolines latest release - the cirkus ep. up and coming talented producer from the south of italy, sehou was the man behind the massive track -she makes me wanna dance- released on all inn limited thats been hammered by ricardo villalobos in pretty much all of his sets for the past year. the brutal bass groove of cirkus calls to mind classic era r&s, its choppy vocals and skittering percussion give the track a raw funk, while its smooth pads add a reassuring, warm flow. untitled to her is a relentless robert armani-style workout, with a hint of chi town bubble and funk. driving chords and simple drum patterns give the tune serious momentum, while plenty of breaks in the rhythm and machine gun buildups make sure you dont lose the groove. romanian producer cristi cons aka case sensitive. after dark interpretation is a gloriously meandering, fluid rework. its subterranean bass bumps and heavily filtered synths give the track a brilliantly disorientating feel, while its tense and tight arrangement bring a tense energy.

the dnp14 is the 4th vinyl of the phantasma compilation series on diamonds and pearls music from berlin. it is the final of 4 split eps sharing one idea and one artwork.
the a side featuring half hawaii with a really sexy, smooth flowing and trippy track called >emperors of venus<. sammy dee and bruno pronsato show us again that their joined forces are top-notch and that their work together originates one of the most energetic minimal styled music projects available today.
on the b side you will have the pleasure to listen to a excellent new eat masterpiece. the unique fat analog sound and the continuous rising movement of eats >crown of light< reveal that there are no borders in hyper modern electronic music.the dnp 14 is the wonderful completion of the phantasma series.

jacques renault hits us up with two buttery smooth disco tracks. both tracks sound like a hot summer night in a nyc nightclub. guaranteed to get the freaks out at night!

the final chapter of vonstrokes limited vinyl album remixes features some seriously low end.
remix #1 is one the favorites of the entire project. claude met brazils dj marky on an artist bus at a uk festival last summer and gave him the track >aundy<. he asked him to do a mix and marky and his friend s.p.y. turned in this amazing drum n bass version. numerous artists have been dropping it even in the middle of house sets! it really captures the drum n bass feeling of the original track taking it back to the genre which inspired it.
remix #2 is from our up and coming bristol based bass prodigy, julio bashmore. he takes on >california< the co-production by cvs and j phlip to another level, adding smooth low end bukem style bass drops and shimmery vox/pad programming to the already insane track. bashmore is one of the few new breed of uk producers who cross over all the way from house to dubstep.

supported by: moodymann, benji b (radio 1), danny krivit, dj sneak, daz-i-kue, unabombers, crazy p, makossa (g-stone), simon harrison (basic soul radio), chris coco, jose padilla!!! finally, leeds born dj/ producer dan ward aka negghead presents the long awaited 2nd single from his blissfully souled out debut album >scrambled negg<. >shifting sands<, vocalized by former nightmares on wax chanteuse chyna b., is surely the key track on >scrambled negg<, oozing sheer class & bringing you xtra smooth r&b vibes of a special kind, nicely layed out over a wicked (and at the same time ultra slick) beat that many other producers of decent >now music< on a club tip would definitely kill for. and as if that wasnt nice enough, wax on records proudly presents their very own >flying dutchmen<: ridiculously talented the planty herbs from tilburg/the netherlands, on the remix!! special backstock !!!

glaswegian producer, label owner and globe trotting dj graeme clark, aka the revenge, takes on holy ghost!s >say my name< – a song from the duos ep static on the wire that, in its original incarnation, is a lovely, smooth slice of electronic pop. the revenge re-models the single three times over, into a trio of distinct remixes all bearing his unmistakable signature. first up on the vinyl 12inch is the revenge remix, which starts out like a hollowed-out, hall-of-echoes version of its predecessor and then grows – bit by bit and synth by syth – into a gorgeous swirl. on the revenge instrumental, clark ups the disco ante, removing the vocal melody and replacing it with elements equally as compelling: a classic beat, synthesized strings, double handclaps, and an essential electric bassline

oliver schleenvoigt is one of the two parts of the monoroom duo, who should be well known by everybody. with his first solo ep on ostwind records, oliver shows what he is capable of and makes a wonderful debut with his kunstflug ep. a-side tracks >gerissene rolle< and >zwirbelturm< are 2 driving tech house bombs with a lot of feelings, small delicacies and the right nip in terms of groove. on the b-side, we will find david labeij and neurotronturning the tables, performing magic with 2 damn phat remixes. both of them, with their very own style, make for the track >zwirbelturm< be a fabulous joy and for the ep to become an even more smooth thing. dutch fluffy tech meets mecklenburg neutron techno. a big thank you to the remixers and of course to oli for this successful debut.

sublife steps up for its first vinyl release with a hard hitting yet super smooth dancefloor friendly number. atlantic connection delivers a nice dubby remix to >the key< by lukeino & featuring paulie rhyme. deep subs and dubbed out vocal bits get the vibe moving as the beats and breaks roll out some choice rhythms. be ready for some hands in the air when this one drops. in the jungle, jungle, jungle!

the first edition of the unirhythm green series. two brand new, smooth as ice tracks from the motor city madman marcellus pittman. the a-side is >tom remix<, a dynamic dj tool that will keep the heads bouncing in the club. the b-side, >if the earth could talk<, is equal parts deep and dubby, but still has that lo-fi detroit grit in the sound. this is a record that will stick around in many djs crates for a long time. this record is the first of a series of collaborations between unirhythm and fit.

once again another masterpiece from the dynamic reflection squad in your face! this time its from the uk monster voidloss. the title track acteon is already an oldy and paul felt in love with it a long time ago. it was already digital released in 2007, but we asked voidloss if he wanted to see this on pure gold as well... and of course he wanted that! so why dont we put up an whole ep with more dancefloor killers of this man? grovskopa is always capable of delivering good remixes and so he did. this time something a little bit different then what you expect, but with this track he shows us what an open mind he has on techno. rolling crunchy basslines and smooth pads bring this track in a perfect vibe to set the tone for the night. moment of total emptiness is a more deeper and hypnotic tune, but will definitely bang your head on the dancefloor. mr. a. paul is going for the rework and came up with a really great uplifting and oldschool touch. perfect tool to use in your dj sets! all n all a superior release by this uk studio wizard. lets pray for more of this pure quality stuff and keep our eyes on the the future. the scene need more labels like this which reflects the current techno movement and promises loads more of that sweet stuff in days to come.. dynamic reflection will represent only the true spirit of pure techno, they will put only the quality stuff back on the dancefloor!

solid as it should be, a chuggy serious drive is shown, combined with well constructed raw hats loops. a very smooth disco influence is noticed on the vocal cuts and a funky >lead padding< in the background. the hotcomer leland mcwilliams is showing his interpretation of the track in a funky and tribal way. percussions and a shakers, combined with a funky baseline and a short house lead.

the restoration crew strikes back with >amber e.p.< , a celebration of the necessary power to feed the machines and to keep them working. live recorded on tape, its pure raw analogue sound, its true dedication to urban dance music. the long track on side a, >andy< is produced by the third side, the infamous berlin based team formed by panorama bar resident steffi (ostgut ton/klakson), marieu and lucretio. an evocative female voice,a powerful rumbling bass, fat beats, hypnotic strings, a relentless pace, an acid taste: simply, a burning spear for the dancefloor. on side b, >thinking right< by lucretio pick up the baton left by infiniti with his later works. full sub-bass deep techno with soul. ground breaking rhythms, filtered vocals and harmonies, a smooth build up on a minimalisitc structure. clear eyes on the future of techno. marieus >the guardian< is an amazing fusion of jazz and deep house with motown influences. the blend of vanguardist chords and exquisite tight drums lead to a joyful experience, the surprising ad-libs spreaded along the track keeps the involvement high during 7 minutes

the first and most important of the four food groups is flapjacks. a great example of this is in bryan jones flapjackin jam low flow. the beats are as thick with butter milk and the bass is fluffy and melts in your ears. the second food group and a perfect complement to the first is syrup. czech republics arco gives us a sugery delight entitled first time, which can be poured or spread over just about everything from toast and flapjacks to spaghetti noodles. this tune has a nice and deep brown maple sound that like syrupy goodness, sweetens up every mix. the third basic food group is eggs, everyones favorite baby animal embryo treat. melbourne, australias house mopper d-t3ch, plucked the perfect egg from his prized chicken with his spoken word groove give & take. in this smooth bumpin scenario, the chicken gives the egg, and d-t3ch takes it and whips it up into a wonder house omelet. the last but certainly not the least of the 4 basic food groups is the bacon. bacon just makes everything better. oregons forrest avery & derty d definitely take the bacon with their super fried, crispy, salty smash hit the perfect beat. this tune does to a club what bacon does to your heart…it clogs dance floors

frank is back on geopark, after his succesful release on geo002 his follow up is a perfect deep late summer release. it comes around with a smooth deep melodic track on side a called >dub i.o.s.<. the flipside is a pumping mover called >primezone< support by: pascal feos, d.diggler, matt star, tim green, anthony collins, daniel sanchez, xpansul, die haustiere, martin woerner, sophie nixdorf, locke aka dermaptera, sebastian altstadt, robert drewek, etc.

supported by sasse , wolf& lamb, djulz, trickski, chris duckenfield, willie graff, vera, huxley, afrilounge, lee jones, kris wadsworth, yakine, hauke freer, james teej (rekids),.. yes, its the man again, iron curtis! he has been climbing up for the last few months with various top releases (like on mule electronique, hudd traxx, undertones or his dirt crew recordings remix) and this is another proof why iron curtis is a man to watch. its all there: fat basslines, well crafted beats and great synths. real neighbour baaz (no joke, they live door to door) is adding a smooth remix to finish this well balanced pack. go and get 70!

for bass cultures 10th release d julz welcome back gez varley, aka mr. g. having first worked his recently released >still here (get down)< artist album on rekids, mr. g now makes his full debut on bass culture with the >extended pain< e.p. two devastatingly good originals in the form of >sunday blues< and >jbs< sees the g man revisiting those classic, deeper sounds, whilst delivering the fresh and upfront tastes as only he can. repaying the remix favour for bc003 is esperanza boss and bass culture favourite, kasper. getting to grips with >sunday blues< the madrid man turns the smooth mood of the original on its head. industrial sized beats, blinding rides and a preciously warped synth line, give a whole new face to already beautiful original

limited white label release. 100 copies only. ever!! from luxembourg but now living in berlin, marc neyen delivers his first album esmeralda on archipel. this vinyl ep is an extract of two of the most touching tracks of his lp. children s corner is a song where marc shows his acute sense of expressing emotions through his jazz training he received in amsterdam. the song might remind you of villalobos or pronsato, but marc finds his personal interpretation to make this smooth, warm tech house song perfect for any moment where you need introspection in a bright way. i move alone shows marc s ability to guitar playing where he brings techno to whole new world with gentle melodies follows tech house grooves

john daly is delivering one killer chicago influenced house tracks after another. obviously getting inspiration from his favorite larry heard and marshall jefferson songs, turning that into those long smooth john daly tracks with soulful basslines, lush melodies, intense strings and euphoric breakdowns that take things to another level. not tracks for every moment on every dancefloor, but tools for the real house connaisseurs who understand special records for special moments and who treasure them like the crown jewels!

ikonika & optimum are proud to introduce their highly anticipated new venture: hum + buzz records. this double a side debut release is right at the centre of the current uk crossover, post-genre sound. first up, >aqueous cream< explores a different sound to the one ikonika delivered on her recent hyperdub debut album. a dancefloor ready track with smooth sub bass, staccato piano chords, trademark emotive synth-leads, underpinned by tough kicks, sizzling hi-hats and ricochet snares. on side aa, >ampersand< marks ikonika & optimums first official collaboration. layers of synth melodies float above a steady four/four pulse and unpredictable claps. an angular, broken, melodic march at a house tempo.

mistanomista is a musical and social project, the main purpose of the group is focusing peoples attention on regaining peace in tajikistan. friends will be friends!. >detroit session< is a tribute to 313 house scene strongly influenced by moodymans music, live funky bassline and jazzy chords mixed together with smooth broken house drum patterns, raw deepness and timeless music for sunday morning party. on the other side >take 1< catch the attention of deep house heads a stunning bassline track with synth dubby texture effected with many echo-delay shots, keeping the vibe on the underground side of house music.

final release !!! rush hour presents a new series of releases entitled -voyage direct-. this series is about all about feel good club music and is curated by tom trago. hence the name voyage direct, which was also the title of his debut double ep. dexter kicks off this series in a classy style with his junofest ep. this is easily his best work since his genre breaking electrofunk hit -i dont care- from 2000. and now its time for -junofest ep-. the title track is a steady, yet smooth club groove with enough wsing to make anyone dance to the music. a true party starter. on the aa side we find -not the only one-, an infectious vocoder vocal track that makes you smile. this is one of those rare tracks that has a poppy, commercial feel without losing its underground raw appeal. it could just be his biggest track since -i dont care-

australian producer philip mcgarva aka microworld is well known for his releases on transmat and styrax, both of which instantly became sought-after techno classics. dutch label adepth audio is proud to present microworlds new >time before techno< ep, with the title track another classic in the making.
microworlds signature is clearly evident throughout - the slow smooth build-up, with every new sound revealing extra dimensions within the music. definitely an after hours track that will go straight to your soul. the second track >ism< is a minimal but effective rhythm, a driving bassline, a catchy synthesizer and vocal sample that will stick in your head. canadian producer arthur oskan chose to remix >ism< and rebuild it into a pulsating 9 minute club track overflowing with warm synthesizers.

produced by maurice joshua feat.liquid soul

smooth, elegant and effective jazzy house that gained the respect from francois kevorkian, laurent garnier , danny tenaglia, dubfire , deetron....

it was just a matter of time for marco zenkers first vinyl on ilian tape. after 3 digital eps, a handfull of rmxes and one side on the harry klein 001, he strikes back with his probably most impressive cuts to date. marco experienced many mysterious moments on munichÆs dancefloors so far. munichs dancefloors are mysterious for those who know. the time will bring changes. force back lay down and wait. jump on, turn around and move. open up and sing. prepare your body for her and come back. more or less thats marcos intention on his first own 12 inch. its deep and smooth, at the same time energetic like a bavarian thunder.

this summer, marc antona introduces a brand new label: dissonant. marc turns his efforts to a new platform for solo productions and collaborations. having honed his talents on records for mobilee, highgrade, micro-fibres (his former label) and more, marc uses this first release as an occasion to show what hes got: tight, percussive, spirit-full music that dives deep, without ever losing technos innovative lines and motorik intensity.>rootz< sets the tone with an agile, high-stepping groove full of bells and smooth but very effective drums, the sparkling high end contrasts with an almost overwhelming sub-bass throb.

bassbuero a.k.a. thomas ingold and his partner björn müller are long-year resident djs and promoters in our hive club and come around the corner with a smooth customer debut. the title could not be any more designative, as with this is not house music we have a knotless and outstanding 90s number with lots of pathos and - declaredly - they have looked over some shoulders of big protagonists from france. when the vocoder chords are crossing swords with this insane bassline, every ravers heart must beat at least one octave higher. this is the tune for a perfect sunrise and big feelings on the floor. on the flip we have gruber & nuernberg, some good pals of bassbuero that played in hive several times as well - they contribute a complete antipole to the the original. almost a bit trancey they spin the chords over a straight old school house groove, never let the basic spirit of the original out of sight and though don t forget to leave their very own traces on this remix. in addition we have - as with every release - a digital exclusive bonus track, that certainly does not deserve the rating house music - lets call it rather fidget than deep. but be sure, its all gone will blow your mind out.

straight from cologne, we proudly debut with our first release on technology gap 001, with some deep as its gets straight up house music acompaning your personal summer madness. anyone wondering what oliver kochs breitbandkater projects all about need only turn to the eps opening cut, >warm and wet<, wherein the cologne-based producer proclaims, >i want the best for you / so everything i do / is house music.< yep, technology gap 001 is house music all right, and a particularly fine sampling of it too. the aforementioned >warm and wet< immediately declares itself an ep high point the moment its thumping bass pulse kicks in. sleekly designed, the cut begins with a tight minimal swing that swells into a jacking house fireball while serving up six minutes of chunky chords and cracking snares. the second track, >wonder why<, tips the balance in a slightly more soulful deep house direction when monojoe spreads an exuberant vocal ove r breitbandkaters lush backing. warm chords and a sweetly grooving pulse provide a soft cushion for some old-school cymbal patterns and a radiant synth hook in the smooth stormer. adopting a slightly more atmospheric approach, with house group of the hour, morning factory winds up the ep with a trippy remix of >warm and wet< which finds kochs vocal drifting through the slow-building mix in a semi-entranced daze. lovers of classy deep house should no doubt find much to admire about breitbankaters three-tracker. go hunt, its good for you

limited 2010 repress !!! >most of all< sees morgan aiming for the deeper end of the ital-disco scale, with jeremy greenspan s smooth vocal backed by great italo keys, a bouncing analog bassline, and tight beats. along with an instrumental take of >most of all< on the flip comes >skyblue pink<, a slightly angular, atmospheric late night cut for the leftfield headz to get to grips with, combining sprase metallic beats and textured italo keys. tracks: most of all/ most of all (instrumental)/ skyblue pink